This single Tea-bowl is considered to be
the finest in the world. . . . to contain the essence of Tea.
. . .
In 1931 I was shown this bowl in company with my friend, the
potter Kanjiro Kawai. For a long time I had wished to see
Kizaemon bowl. I had expected to see that "essence of
the seeing eye of Tea masters, and to test my own perception;
for it is the embodiment in miniature of beauty, of the love
of beauty, of the philosophy of beauty, and of the relationship
of beauty and life. It was within box after box, five deep,
buried in wool and wrapped in purple silk.
When I saw it, my heart fell. A good Tea-bowl, yes, but how
ordinary! So simple, no more ordinary thing could be imagined.
There is not a trace of ornament, not a trace of calculation.
It is just a Korean food bowl . . . that a poor man would use
everyday. . . .
A typical thing for his use; costing next to nothing . . . an
article without the flavour of personality; used carelessly
by its owner; bought without pride; something anyone could have
bought anywhere and everywhere. . . . The kiln was a wretched
affair; the firing careless. Sand had stuck to the pot, but
nobody minded; no one invested the thing with any dreams. It
is enough to make one give up working as a potter. . . .
But that was as it should be. The plain and unagitated, the
uncalculated, the harmless, the straightforward, the natural,
the innocent, the humble, the modest: where does beauty lie
if not in these qualities? The meek, the austere, the unornate—they
are the natural characteristics that gain man's affection and
More than anything else, this pot is healthy. Made for a purpose,
made to do work. Sold to be used in everyday life. . . . Only
a commonplace practicality can guarantee health in something
made. . . .
Emerging from a squalid kitchen, the Ido bowl took its seat
on the highest throne of beauty. The Koreans laughed. That was
to be expected, but both laughter and praise are right, for
had they not laughed they would not have been the people who
could have made such bowls . . . The Koreans made rice bowls;
the Japanese masters made them into Tea-bowls. . . .